A Health IT company's flagship Patient Safety Saas application (Safety Event Manager), which is used primarily in Acute Care hospitals, was a chore to use and looked extremely dated. Our UX and content overhaul saw average entry times drop from almost 20 minutes down to 6-10. With its more streamlined workflows, increased configurability, and mobile strategy for tablet and smartphones, SEM 'Qprecision' has been activated in over 2500 healthcare facilities nationwide.

A personal project (maybe for an upcoming hackathon) is a voice-activated seizure tracker for mobile. Having a family member with Epilepsy, there are both clinical and psychological benefits to easily and accurately tracking seizure activity; not only looking for (and sharing) patterns in a more precise and data-driven way, but also feeling like you're contributing as much as you can to solving the most heart-breaking puzzle you know.

What started as a simple skinning became a full UX reboot that provides an extremely rich discovery-based web experience. The user-friendly 'screening rooms' concept highlights the channel's expertise & personality.

An HR veteran starting his own firm was interested in creating a custom business application to help small medical practices without dedicated HR staff or expertise. Even though the scope turned out to be too large to execute, a few of the strategies we came up with, such as considerable baked-in 'best practices' guidance, and 'cheat code-esque' workflow ergonomic diagrams, would inform my later work in healthcare.

ClickStar was an online movie download site started by Morgan Freeman's Revelations Entertainment and Intel. I led the redesign of the launch site (April 2007) with CEO Lori McCreary. After it became clear iTunes and Netflix would own the space, I was kept onboard to redesign Revelations' corporate site (2008) and, with the CTO, concept a USB 3.0-based movie kiosk project called Digiboo (2010).

'User Experience' doesn't just mean applications and websites. During my decade in Los Angeles working for clients like HBO, ESPN, MGM, Scripps, Warner Bros, and Dolby, I produced DVD menus, interactive games, "10-foot" TV interfaces, and even a 5.1 Surround Sound dance club . Technology is at its best when it engages people's senses, is shared amongst people, and the experience spills beyond 'the screen.'